The thing about "modern" design vs classical is this, they lose fashion. I grew up in that era, the modern buildings were passé almost the day they built in most instances.
The thing about "modern" design vs classical is this, they lose fashion. I grew up in that era, the modern buildings were passé almost the day they built in most instances.
I saw that photo from the PCA. The buildings were very nice in the day. However, due to lack of maintenance they have degenerated into a severe case of disrepair. They do have a certain amount of ambiance to them though. The third floor balcony f the building above overlooking cypress lake is quite nice. The Guillory hall balcony over Cypress Lake is a destination for every visitor that goes on campus. I will take some up close and personal photos of the buildings next week. The buildings are indeed sturdy and could be renovated if they wanted to but I think there fate is sealed.
Stephens hall is the location of the computer center. There is a large computer lab on the first floor and the main frame is on the second floor. Broussard hall is a WPA building made of concrete and masonry. There are no wood floors in the building. I took physics in that building back in 1973 with Dr. Bernard (great teacher) and Dr Holdeman (kind of far out).
Like you I'm also a big fan of MCM architecture.
However the problem with MCM architecture is that it doesn't fit in with it's surroundings. MCM buildings in general were created to be bold standalone pieces that stood apart from everything else. Unfortunately this doesn't work well on a college campus. The ugliest campuses in America were built during the MCM era because they are full of big, bold buildings that don't mesh at all with the other buildings on campus. If you ever get a chance check out UNO's disjointed campus. It's a great example of where MCM architecture went wrong.
Today, the approach is to design buildings that mesh with it's surroundings and with other buildings. That's why we're tearing down Olivia and Corona Halls. They weren't built to fit in with the rest of campus. And every building on campus should fit in with it's surroundings.
Some MCM buildings on campus were renovated to do just that. When the MCM Dupre Library was renovated they took it's MCM design and attempted to connect it with the rest of campus by incorporating elements from other campus buildings into it's design. And the result is a building that "fits" much better than the standalone, cold, white box it used to be.
And of course a building can still be ultra-innovative and ultra-modern while still incorporating itself with the rest of campus. The UL Art Museum is one of the finest examples of this in the entire nation.
The new Student Union will use the same design principles. It won't pretend to be old but it won't look out of place with the buildings around it. The new campus is being designed by the same people who designed River Ranch. Their aim is to make a campus that "gels" in the same way the buildings in River Ranch "gel" together so nicely.
Thanks for a great post, and while I agree with some of what you said, I disagree that every building should 'fit in' with other buildings......guess I'm just an am anarchist at heart, lol.
I also don't think that Dupre was really ever a MCM, but then again, not sure what category it would have been place in.
Dupre library was originally a single story building. The second and third floors were added several years later. Hence, the precast concrete sections on the second and third floors. The rear section was added on about 10 years ago (I think). That's why it looks like three different buildings.
BTW, CajunRebel, if the 'new' union was as cool as the art museum, you'd have NO complaints from me, :-)
Didn't know that it started out as a one story building....you are, as usual, right......that explains a lot about Dupre, lol.......basically a mish-mash of styles.
Didn't know that it started our as a one story building....you are, as usual, right......that explains a lot about Dupre, lol.......basically a mish-mash of styles.
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