we have been working at break neck speed for the last 10 months and have a ton of stuff in the can, so much in fact i had to stop booking shooting dates so we could step back and see what the heck we got. As of now i have around 1.2 terabytes of stuff, whats that mean...a lot that's what.
I could start slapping the film together now and call it a day, but our goal is to make this thing the best it can be and that means talking to people like ray authement who we have had to back up several times but really wants to be in the film. Also I need to start putting the crew and our gear on jet planes for chats with ncaa investigators who damn sure as hell ain't comin here along with a few peeps around the usa-that aint gunna be cheap, which is one of the reasons it is important i get a solid turnout for the "shipley tribute gala", and hell it's gunna be an awesome night anyways.
We are farther along than i thought we would be at this time though and our post production workflow is rolling nicley, if i dont have to farm out some major tasks such as color correction i think i will have my submission to major festivals postmarked in may or june, which for a four man indy crew is stupid fast. Dale Browns began in 2007 and just premiered last week.
So we will continue to eat sleep and breath this bad boy until it's done, when i can show it to the cajun nation depends on what level we reach